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| POLSKI |
We are a team of trainers, adepts and enthusiasts of fencing on foot and on horseback.
For years we have been developing, preparing and implementing fencing solutions for film and theatrical and ballet performances, in terms of choreography of fight scenes with weapons, on horseback and on foot.
Under the wings of the founder of the Fencing Studio Tomasz Abramski, well-known actors developed their fencing talents. Tomasz Abramski, as well as other members of the team, also took part in the development of choreography of fight scenes and the realization of numerous film and theater productions.
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„Ogniem i Mieczem” ("With Fire and Sword") |
1999 directed by Jerzy Hoffman |
| „Trzej Muszkieterowie” ("The Three Musketeers") |
1998 Teatr na Woli Warszawa directed by Tomasz Grochoczyński |
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„Klątwa skarbu Inków” ("The Curse of the Inca Treasure") |
2001 directed by Krzysztof Lang |
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| „Ryszard II” | 2004 Teatr Narodowy Warszawa directed by Andrzej Seweryn |
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„Dwie strony medalu” ("Two sides of the medal") |
2006 directed by Grzegorz Warchoł |
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„Trzy minuty” ("Three Minutes") |
2010 directed by Maciej Ślesicki |
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„Bitwa Warszawska” ("The Battle of Warsaw") |
2011 directed by Jerzy Hoffman |
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„Diabeł Łańcucki” ("The Devil of Lancut") |
2021 based on the novel by Jacek Komuda directed by Maciej Jurewicz |
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| „Il combattimento di Tancredi e Clorinda” | 2022 Choreography of a fencing arrangement to the war song at the Il Festival Baroque Polish Royal Opera, Warsaw directed by Ryszard Maciej Nyczka |
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| „Ksiądz Marek” ("Priest Marek") |
2022 Choreography of bayonet fight in the play. Teatr Polski Wrocław directed by Jacek Bunsch |
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| „Zemsta” ("Revenge") |
2023 Choreography of a fencing arrangement. J. Osterwa Theatre Gorzow Wlkp. directed by Andrzej Ozga |
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Advertising movies |
Numerous fencing demonstrations at home and abroad.
Conducted for several consecutive years 2-week fencing camps for successive generations of actors from Bogusław Linda's acting school. Under the guidance of experienced instructors, successive generations of actors gain the ability to wield not only white weapons.
Number of times conducted trainings under the slogan "Saber and horse" at the equestrian training center WRTC Furioso by Alexander Jarmuła.
Our method of fencing in the so-called "open eyes" was developed by Professor Wojciech Zabłocki. He is the forerunner of this fighting system. In "open eyes" means developing, through properly conducted training, defensive reflexes, i.e. how to defend oneself from uncontracted cuts and pushes with a proper and safe veil. This is achieved through sensorimotor education, i.e. perfecting and memorizing motor actions striving consciously for motor automatization in the use of a particular type of weapon. The methodology we use has proven itself in many movies, theater or commercials. Regardless of the type of weapon: saber, sword, sword, rapier. It is always a non-contracted fight.
The "open-eyed" way of fighting continues to evolve. Working on subsequent films and productions, we gather experience and improve it focusing on attractiveness and realism, not forgetting the safety of implementation.
Our offer is addressed to movie and theatre directors, actors and producers of cultural events.
We are happy to undertake the choreography of combat scenes with sabers, swords and other white weapons. In choreography, we emphasize both realistic recreation of the fight and subordination of the scene to the director's vision. We will carry out the training and training of actors necessary to safely recreate the developed scenes. If necessary, we will also undertake the duplication of actors in the developed scenes.
In addition to the above-mentioned activities, the team also carries out trainings in horse fencing (kaptywusz).
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Feel free to contact us:
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